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Layout ©
Image: my dad, ohman's birthday Editing - pinkaholic :D
Basecodes: manikka sunsetsilhouette
Monday, November 30, 2009


this brought more than a huge smile to my face :D thank You God!

Monday, November 23, 2009


thrashy music of the 90s > thrashy music now

this is pretty pro though



THIS REMINDS ME OF WINDOWS XP BTW NEW LAPTOP WITH WINDOWS 7 QUICKER THAN A RAY OF LIGHT COME ONN


Friday, November 20, 2009


i was listening to this just now when i was reminded of



ahh the good old days when cartoons were still awesome (Y) none of those fairly odd parents nickalodeon nonsense

Wednesday, November 18, 2009


EVAN RACHEL WOOD

edit: the middle scene darn whiney but she still darn pretty super

Friday, November 13, 2009


in memory of tan boon liat, josh yang and love clementi HAHAHA

Wednesday, November 11, 2009

Tuesday, November 10, 2009
the reason it was written,

Lennon received a letter from a pupil at Quarry Bank Grammar School, which he had attended. The writer mentioned that the English master was making his class analyse Beatles' lyrics. (Lennon wrote an answer, dated 1 September 1967, which was auctioned by Christie's of London in 1992.) Lennon, amused that a teacher was putting so much effort into understanding The Beatles' lyrics, wrote the most confusing lyrics he could.

the chord progressions,

All the chords are major chords or seventh chords, and all the musical letters of the alphabet (A, B, C, D, E, F and G) are used. The song ends with a chord progression built on ascending and descending lines in the bass and strings, repeated over and over as the song fades. Musicologist Alan W. Pollack analyses: "The chord progression of the outro itself is a harmonic Moebius strip with scales in bassline and top voice that move in contrary motion."[7] The bassline descends stepwise A, G, F, E, D, C, and B, while the strings' part rises A, B, C, D, E, F#, G: this sequence repeats as the song fades, with the strings rising higher on each iteration.

the orchestral make up

George Martin arranged and added orchestral accompaniment that included violins, cellos, horns, clarinet and a 16-piece choir. Paul McCartney said that Lennon gave instructions to Martin as to how he wished the orchestration to be scored, including singing most of the parts as a guide. A large group of professional studio vocalists named "The Mike Sammes Singers", took part in the recording as well, variously singing "Ho-ho-ho, hee-hee-hee, ha-ha-ha", "oompah, oompah, stick it up your jumper!", "got one, got one, everybody's got one" and making a series of shrill whooping noises.[9]

The dramatic reading in the mix towards the end of the song is a few lines of Shakespeare's King Lear (Act IV, Scene VI),

and the lyrics all come together superbly



to make this a truly beautiful song.

In acoustic



Heavy rock and roll with choir! :D (BA BA BA BA BAAAAAAA BA)



a musical number in a movie (bono darn pro)



or its original



goo goo goo'joob